Journal Guide

Current Writing: Text and Reception in Southern Africa, published bi-annually by Routledge, covers recent writing and re-publications in South Africa as well as topical southern African issues; it presents literary-cultural debate from a southern African perspective. Current Writing: Text and Reception in Southern Africa is now the official journal of SAACLALS (the Southern African Association for Commonwealth Literature and Languages). Current Writing also presents the opportunity for contributors to continue and extend comparative connections between southern Africa - the initial focus of text and reception in Current Writing - and writing from other parts of Africa and the Commonwealth. With the concept of postcolonial literature/s currently held in debate with the older term Commonwealth Literature, and given South Africa's peculiar challenge - Africa in the West or the West in Africa? - to older delineations of 'African literature', the association between SAACLALS and Current Writing promises fruitful developments in textual studies. Disclaimer Taylor & Francis and the Current Writing Editorial Board make every effort to ensure the accuracy of all the information (the 'Content') contained in its publications. However, the Editorial Board and Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of the Editor, Taylor & Francis, or the Current Writing Editorial Board.

C?eska´ literatura je recenzovany´ ve?decky´ c?asopis vyda´vany´ U´stavem pro c?eskou literaturu Akademie ve?d C?R, v. v. i. Vycha´zi´ s?estkra´t roc?ne?, je zame?r?en na zkouma´ni´ historie, poetiky, kontextu° a funkci´ c?eske´ literatury a na proble´my c?eske´ a sve?tove´ litera´rne?ve?dne´ teorie. Ci´lem c?asopisu je pr?ina´s?et metodologicky podloz?ene´ pr?i´spe?vky, jez? pr?edstavuji´ informac?ni´ pr?i´nos a badatelske´ impulzy pro c?eskou i sve?tovou litera´rne?ve?dnou bohemistiku i dals?i´ spr?i´zne?ne´ humanitni´ discipli´ny. C?asopis otiskuje pu°vodni´ i pr?eloz?ene´ texty v c?eske´m jazyce. C?asopis C?eska´ literatura je indexova´n v na´sleduji´ci´ch elektronicky´ch databa´zi´ch: ISI Web of Knowledge, SCOPUS, ERIH (European Reference Index for the Humanities, kategorie A), CEJSH (The Central European Journal of Social Sciences and Humanities). C?asopis byl zar?azen na Seznam recenzovany´ch neimpaktovany´ch periodik vyda´vany´ch v C?eske´ republice.

DELTA welcomes original unpublished submissions in all areas of language study, from both a theoretical and an applied perspective, so long as the contribution has not been submitted simultaneously elsewhere and the authors hold a PhD degree.

Dædalus was founded in 1955 as the Journal of the American Academy of Arts and Sciences and established as a quarterly in 1958. It continues the volume and numbering system of the Academy's Proceedings, which ceased publication under that title with Volume 85. Dædalus draws on the enormous intellectual capacity of the American Academy, whose Fellows are among the nation's most prominent thinkers in the arts, sciences, and the humanities, as well as the full range of professions and public life. Each issue addresses a theme with original authoritative essays. .

To serious students and lovers of dance, Dance Chronicle is indispensable for keeping up with this rapidly changing field. It covers a wide variety of topics, including dance and music, theater, film, literature, painting, and aesthetics. Offering the best from both established dance historians and the new generation of dance scholars, Dance Chronicle is an ideal source for those who love dance, both past and present. Dance Chronicle has featured unique articles on the Bedaya-Serimpi dances of Java and the dancing choirboys of Seville Cathedral. Other, broader articles have presented studies on Renaissance dance, Baroque dance, romantic ballet, and dancing for Broadway, Hollywood, and television. Individual issues have been devoted to Bournonville, Gautier on Spanish dance, the Camargo Society, and Moscow's Island of Dance. Coverage also includes comprehensive pieces on Sada Yacco, Cyril W. Beaumont, Andr233;e Howard, Maya Plisetskaya, Merce Cunningham, the Judson Dance Theater, Trisha Brown, and Meredith Monk.Peer Review Policy:All research papers in this journal have undergone editorial screening and peer review.

Dance Research, the Journal of the Society for Dance Research, is essential reading for those involved in the study and practice of dance. Dance Research is edited and published in Britain with the assistance of a distinguished group of editorial consultants based in Europe and the USA. The journal provides an international forum for the presentation and discussion of contemporary dance research and contains a section of comprehensive book and journal reviews

Dao: A Journal of Comparative Philosophy directly relates Chinese philosophy to other philosophical traditions, covering all subfields of philosophy. Most uniquely, Dao does not only focus on the comparison of Chinese and Western philosophy: it also publishes articles on the relation between Chinese philosophy and other Asian philosophies – such as Indian, Japanese, and Korean philosophy - and between Chinese philosophy and African and Islamic philosophy. Dao is thus a truly international and multicultural journal, which is also reflected by the various nationalities of the board members and the contributors to the journal. In addition to high-quality research articles on comparative philosophy and articles on its theories and methodologies, Dao also publishes book reviews in the area of Chinese and comparative philosophy. Dao is in fact the only journal that regularly publishes reviews of books in Chinese, as well as full-length articles reviewing works of contemporary philosophers in China.